… At the time, there was a lot of conversation about what to do. "Page's riff was Page's riff," he told Musician Magazine in 1990. Despite the cost, Robert Plant was unbothered by the controversy over the latter song. Songwriting credit reverted to Dixon in the case of "Bring It On Home," and his name is also included on "Whole Lotta Love" along with the rest of Led Zeppelin. The Verdict: Both suits were settled out of court for undisclosed – but presumably large – sums. He took them to court again in 1985 over writing credits on "Whole Lotta Love," which by then had become a classic-rock staple. Page borrowed the intro and outro of Sonny Boy Williamson's 1966 original, intending it as a deliberate homage to the blues great Dixon didn't see it that way and sued the band for copyright infringement in 1972. Album opener "Whole Lotta Love" copped lyrics from the 1962 Dixon-penned Muddy Waters song "You Need Love." The source material for Zep's "Bring It On Home" is even more apparent. The Case: Courts found that two tracks on II, Led Zeppelin's sophomore album, owed crushing debts to Chicago blues classics by Willie Dixon. "You Need Love," by Muddy Waters (written by Willie Dixon) (1962) "Whole Lotta Love," by Led Zeppelin (1969) vs. "Bring It On Home," by Sonny Boy Williamson (written by Willie Dixon) (1966) "Bring It On Home," by Led Zeppelin (1969) vs. Image Credit: Michael Ochs Archives/Getty, Kirk West/Getty Why It Matters: Although the genre was built on a handful of standard three-chord progressions and blues licks, the "Surfin' U.S.A." incident was one of the first major plagiarism scuffles in rock history. However, Berry's name wouldn't appear on the songwriting credits until 1966. The Verdict: With the threat of lawsuits looming, Beach Boys manager – and Brian Wilson's father – Murry Wilson agreed to give the publishing rights to Arc Music, Berry's publisher. Wilson said he intended the song as a tribute to the rock guitarist, but Berry's lawyers used another term: plagiarism. Wilson penned a new set of lyrics listing off the hot surfing locales across the Pacific coast. Inspired by Berry's rapid-fire references to various American cities, he recast the song as a paean to a fun-in-the-sun sport. But 1958's "Sweet Little Sixteen" set Beach Boys' composer Brian Wilson into overdrive. The Case: The California boys often incorporated rock & roll pioneer Chuck Berry's songs into their early concerts. "Sweet Little Sixteen," by Chuck Berry (1958) "Surfin' U.S.A.," by the Beach Boys (1963) vs.
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